Tag Archive for: George Michael

Marketing Loved-feature-meme

The music market has gone through an 180° paradigm shift with regards to how to connect with an audience and break an artist but the music marketing loved-180-degreesindustry hasn’t figured out how to crack this new code, therefore record sales are abysmal.

 

 

Consequently, y’all are scared.

 

I’m not.

 

Do I have your attention?

 

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Too many of you, including the record labels, are trying to break artists (or yourselves) the old way. The way we used to do it for over 75 years.

 

 

This is understandable for you, the indie artist because you’re smart and you’re aware that marketing must happen (at least you’d better be), but you’re going to try and emulate the marketing methods that your favorite artists used to reach you.

 

It’s all you know, isn’t it?

 

I mean, I always learned quicker by watching something get done and then replicating the process. So, show me and I’ll execute, I get it.

 

 

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It’s also understandable that the labels are sticking to their old tactics because they have a rich, successful heritage but it’s extremely difficult for corporations to change their rudimentary methods of anything.

 

 

 

 

This is the nature of any corporate organization, by the way.

 

 

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Take Proctor & Gamble for instance. Their first product was Ivory soap. Ivory soap was the first product created to replace homemade soap. This was sometime in the EARLY 1800’s, more than 170 years ago.

 

 

 

Proctor & Gamble is a multi-BILLION-dollar conglomerate with many brands, 19 of them individually gross over $1 Billion dollars annually.

 

For almost 2 centuries, marketing was easy for P&G. As long as they advertised their products, they would sell. In fact, the more they advertised, the more they sold.Marketing

 

 

 

If you think about it, there were very few ad messages floating around back in the 1800’s and throughout most of the 1900’s. Some print ads, a few billboards, radio stations, and 3 TV channels towards the end of the advertising glory years.

 

 

 

No clutter really.

 

 

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Nowadays, we all see around 3,500 messages per day! PER DAY!

 

 

 

MASSIVE CLUTTER.

 

 

We’ve grown numb to them. It’s human nature. That means we just don’t see them that much anymore so we don’t pay attention.

 

 

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That’s bad for the advertiser.

 

 

 

 

 

 

When P&G hires a new marketing person, they expect that person to do exactly what the person before them did. P&G knows how to sell Ivory soap; they’ve been successfully doing it for well over 170 years.

 

 

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But when a newbie marketer is hired, even though they KNOW the old way isn’t working, they are smart enough to understand that they weren’t employed to dismantle the current distribution channels or question the sales heritage of such an amazing company.

 

 

 

 

Therefore, the corporation continues with little change to the processes decade after decade.

 

 

The illustration of the catch-22 is like a simple math equation.

 

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It used to be that companies like P&G spent (x) number of dollars and got a return of (y) on their sales. Now they spend (x) number of dollars and get a return of (y-1000) or (y-10,000) or whatever. Exponentially LESS of a return on the same advertising investment.

 

 

 

So, what do they do?

 

 

They spend more money to create more ads.

 

 

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Which creates more clutter.

 

 

 

Which makes us shut down even more.

 

Get it?

 

 

The catch-22 is the less it works, the more money they spend and the more money they spend the less it works!

 

 

MarketingHere’s another interesting statistic. Somewhere around 67% of all the advertising dollars spend in the USA every year come from the top 100 advertisers. You know them well: Coke, Pepsi, Budweiser, Chevrolet, Ford, McDonald’s, etc.

 

More than 80 of these companies have been doing business for longer than 30 years. That’s significant because 30 years was before the internet, before smartphones, before computers, and before cable TV.

 

So, they all find themselves in the same boat as P&G in that their messages are not getting through as well as they used to and they change their strategies very slowly over time.

 

 

Why does this matter to you?

 

 

Because the record labels are in that same boat too.

 

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That boat is clearly sinking.

 

This is undeniable.

 

 

We’re down to just 3 major labels.

 

Unit sales are down 90% and the price of a complete record (be it vinyl, CD, or download) has dropped by 62%.

 

It’s not about the money in the market place.

 

It’s not because consumers can get it for free, that’s a story too many artists and industry pros are telling themselves to relieve the pain of horrible sales.

 

That’s a cop out.

 

 

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If “free” mattered, the poorest people in this country wouldn’t spend 3 times the price of a gallon of gasoline to get something they could obtain for free by taking 20 more steps into the gas station bathroom and turning on the faucet.

 

 

 

 

Yeah, man, that’s how much y’all pay for cheap bottled water and you can get that for free.

 

 

Why do they pay?

 

Answer: Because they feel it’s worth it.

 

Why don’t consumers buy records anymore?

 

Answer: Because they don’t think it’s worth it.

 

Here’s a marketing FACT: When you’re presented with a purchase opportunity for a product that you are very familiar with, that you like or even love, but you don’t purchase, it’s because you don’t think it’s worth it.

 

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Somehow Taylor Swift managed to sell 8.6 million units of her last record and Adele has sold around 7.5 million, I believe.

 

 

Why are their fans buying?

 

Answer: Because they think it’s worth it.

 

 

I promise it’s not because they’re famous. That’s a cop out too. A story we all tell ourselves. Ask George Michael who had sold 50 million records before Listen Without Prejudice Vol. 1 was released how much being famous accounts for sales with zero marketing.

 

 

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SO HOW DO YOU MAKE YOUR FANS FEEL THAT YOUR MUSIC IS WORTH IT?

 

Answer: Precisely.

 

 

 

 

 

If you follow these old-school methods, you should expect the same results in your artistic endeavors. Complete crap.

 

 

Especially now when every wannabe artist can put his/her “masterpiece” up on the world’s refrigerator.

 

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Why are so many of you (who even acknowledge that you need marketing) still marketing the same way and expecting different results?

 

 

 

 

It used to be, for 70+ years, the first interaction a debut artist had with a consumer in the marketplace was the music.

 

 

 

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You heard the debut single on the radio. Then you heard it again and again and again. All this while you were waiting for the DJ to spin your jam.

 

If it was a hit, the song wove its way into the fabric of that time in your life.

 

 

Naturally, an artist finished the record first, released the single, and THEN began marketing the act/record. There was not much to do before the single was released and no real way to do it besides touring.

 

 

I constantly hear artists tell me, “I just have to get this recording finished and then I’ll worry about marketing, one step at a time, Johnny.”

 

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But now it’s different.

 

Therefore, if you don’t change and ADAPT to the new market, you’ll continue to endure the same agonizing results.

 

 

 

Consumers no longer need to suffer through the getting-to-know-you-process of a debut single on the radio because they have CHOICES via a smart phones and an aux cable.

 

 

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We ALL want to hear the same thing when we listen to music; we all want to hear our jam.

 

“Our jam” = something we know, something we’re already familiar with.

 

 

 

Today the radio spins a debut single from an artist the consumer is unaware of, but they change the channel searching through endless choices to find music they ARE aware of.

 

 

Therefore, THEY WILL FIND THEIR JAM.

 

Therefore, they won’t listen to new music from debut artists on the radio.

 

This is part of the reason the sales are down so much.

 

Here’s the real results of the market change to artists and labels who cannot or will not adapt.

 

 

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The top 10 grossing tours for 2016 have only 2 artists that are in their 20’s. (One was Justin Bieber who broke on YouTube, HELLO, but I digress.)

 

 

 

5 of the artists, in other words, HALF of the top grossing tours this year are from artists whose ages range from 67-72 years old.

 

 

2 of the artists were nearing their 40’s.

 

 

By point of comparison, the artists that toured in 1987 for example, were Bon Jovi (Slippery When Wet), Kiss (Crazy Nights), Madonna (True Blue and the Who’s That Girl soundtrack), Def Leppard (Hysteria), Michael Jackson (Bad), Metallica (Master of Puppets), Ozzy (No Rest For The Wicked), Aerosmith (Permanent Vacation), Iron Maiden (Somewhere in Time), and U2 (Joshua Tree).

 

 

Kiss, Ozzy, and Aerosmith were in their 30’s at the time. The rest were in their 20’s.

 

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Today, radio works wonderfully if you’ve been making records for 30, 40, or 50 years.

 

 

 

 

Radio doesn’t work if you’re a brand-new artist to the market because you haven’t recorded “their jam” yet. Regardless of how good it is, they don’t know it and they’ve PROVEN that they’re not going to discover new music on the radio anymore, haven’t they?

 

 

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Nowadays, the first interaction that a debut artist will have with a market will be the ARTIST.

 

 

 

 

 

Aside from a lucky TV show casting, YOU must connect on social media or YouTube and make friends FIRST.

 

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Next, you provide content that is relevant and personal to THEM.

 

Then, if they like you, they’ll listen with an open heart and an open mind.

 

 

So, you market YOU and your talent NOW while you’re developing the project. If you do that right, you’ll have an audience when you release it.

 

 

Know that it takes TIME.

 

If you don’t have an audience before you release your project, shame on you.

 

 

Why the hell do so many artists NOT understand the power of YouTube?

 

 

 

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I’ll tell you why because it means they must WORK MORE.

 

 

 

 

 

 

 

 

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There are THRONGS of artists who have BROKEN in a BIG WAY on YouTube meaning they were exposed to tens of millions even hundreds of millions of people.

 

 

 

There are millions of music fans who are now aware of these artist’s talents.

 

 

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These artists now tour relentlessly selling hard tickets to fans who pay to see THE ARTIST.

 

…and the artists make a living.

 

 

 

What more do you want, man?

 

These artists are deemed to be “lucky” by the have-nots because y’all are afraid to work and you tell yourself stories as to why they’ve “made it” in one form or another, but it’s not you.

 

Not yet anyway.

 

 

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There is an overwhelming amount of noise and clutter that currently exists online in the music industry but practically NONE of the artists know how to market in the new music business.

 

 

 

 

 

That’s why I’m not scared. There is very little traffic and very little clutter for those who understand new marketing.

 

Everything you need is out there, baby, you just need to recognize it, learn it, execute it, and start your upward journey.

 

Go make some mistakes on the right path, you’ll be ok, I promise.

 

 

You don’t need anyone’s permission.marketing

 

Therefore, the only one standing in your way is you.

 

 

 

Stay

 

In

 

Tune

 

 

If you found value in this article, please SHARE and COMMENT

 

 

Learn more on my top ten podcast The C.L.I.M.B.marketing

 

 

 

 

 

 

 

 

 

 

 

Flaws Gun Pointing

The record business is rife with fatal flaws. Even in the heyday there were huge mistakes constantly made by major record labels and those flaws are showing big time Flaws Flawed eggin the new music industry.

 

 If you ask any CEO from any company in any industry on any part of this planet what their most valuable asset is, they will tell you it’s their customer list.

 

 

Yes, their people are important but you can’t pay good people without cash flow from customers.

Yes, their intellectual property is hugely important, but you can’t monetize intellectual property without customers.

 

Maybe you’re a fan of Chevy, Ford, Toyota, Dodge, Porsche, BMW, etc.flaws automakers

From the perspective of the CEO’s of any company, you are a customer, maybe even a loyal customer.

 

Artist “fans” are called “customers” in every other business.

 

Get it?

Businesses go to GREAT lengths not only to build and maintain customer lists but also to DEEPEN the relationships with those customers.

Think about your Kroger or Ralph’s (grocery store) discount card.  They offer discounts in exchange for information on your buying habits.

 

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They KNOW if you like 1% milk or 2% milk.

They KNOW what kind of beer you like.

 

They KNOW when you prefer to shop, how much you normally spend, and what products you normally spend your money on.

 

Now, if we put a gun to Tim McGraw’s head, Katy Perry’s head, AC/DC’s heads, Jay-Z’s head, or Daft Punk’s helmets, they couldn’t tell us who’s buying their music.

The fatal flaw is they don’t know who their customers are!

 

If you don’t have a customer list, not only is it impossible to identify who the customers are, you certainly can’t contact them.

 

If you cannot directly contact the customers, you have to spend MILLIONS of dollars on what they call “Branding Campaigns” (that’s super expensive advertising in plain English).

Branding Campaigns put an artist everywhere there is to be for a few weeks at a time to plug the new release and continue to promote it.

 

People, Us, Vanity Fair, Country Weekly, Taste of Country, blogs, nationwide radio, Letterman, Fallon, Ellen, Seth Meyers, GMA, Today Show, Newspapers, blah, blah, blah.

 

But what of the artists who don’t have million dollar budgets?

 

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What about the artist you USED to have million dollar budgets?

 

Even with a million dollar brand name (think any former major label artists who no longer have a major label) the sales will suffer simply because the customers don’t know the product is available.

What if there was a way to “capture” contact information that would become a customer list?

 

An artist with an active customer list could:

  • Deepen relationships with customers creating a tribe-like following.flaws iceberg
  • Offer exclusive content to make customers feel like they’re “in-crowd”.
  • Monetize it by changing to a subscribership business model (think Netflix).
  • Inform the customers of new content on YouTube and grow the subscribership.
  • Then Monetize YouTube (creating another cash register).
  • Inform the customers of any contests the artist is having.
  • Inform the customers of upcoming concerts.
  • Disseminate any images or content offering social proof of awesomeness.
  • Cross promote other artists
  • Obtain Corporate Sponsorships
  • Monetize it through sales on the artist’s web store.

Some of you hate this idea but I’ll bet if you were famous you would at least entertain the idea of a clothing line, or perfume scent wouldn’t you?

The tremendous power that direct customer contact will bring to an artist was demonstrated quite clearly by Taylor Swift in 2014.

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We have probably the biggest superstar on the planet who released a new record but she switched genres.

 

Yeah, yeah some will argue that Taylor Swift was never really “country” but the point is that all Taylor’s previous records were promoted on Country Radio and “1989” wasn’t.

 

 

Country radio felt that Taylor abandoned country music and moved WAY too far into the pop world and therefore refused to promote it by spinning her new singles.

Come to think of it, in Nashville, I haven’t heard ANY Taylor Swift songs on country radio for quite some time which is crazy considering they are continuing to spin every single ever put out by her country peers like Tim McGraw, Kenny Chesney, Carrie Underwood, etc.

Here’s the point, she still had the bestselling record of 2014.flaws social media nails

 

This was true because her fans KNEW the record was coming via her social media.  This is huge because while I’m sure most of you are plugging away at your social media, “Swifties” feel like they have a special connection with Taylor.

 

That’s the key.

 

Don’t fool yourself on the power of her superstardom either, it was the connection.

 

Want proof?

 

George Michael was a superstar stadium act that had sold 25 million albums and 15 million singles with Wham! before he ever got his solo deal with Columbia.  His first solo release was “Faith” which sold a whopping 25 million copies. In September of 1990 George released his 2nd solo effort entitled “Listen Without Prejudice Vol. 1” (arguably considered his artistic masterpiece).

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George was sour at the fact that the Sony Corporation had purchased CBS records. He tried to exercise a “Key Man Clause” in his contract once artist beloved CBS Records President Walter Yetnikoff was replaced with Tommy Mattola in 1990.  Tommy took that action personally and detested George’s artistic refusal to appear in any videos to promote the record. As a result, Sony chose not to promote “Listen Without Prejudice Vol. 1” and it sold a disappointing 8 million units.

What would have happened if George had been able to contact his 25 million customers?

 

Want to know how you capture this information?

 

There are 2 primary ways (depending on the age of your audience) that you can capture customer contact data and begin to build your list.

1 way is called a “Squeeze Page”. flaws_Twitter_Squeeze_Page

A squeeze page is designed to “squeeze” the contact information out of a potential customer (usually a name and email address) while allowing the customer to “opt in” to email driven marketing initiatives.

The idea is you offer what my friend Rick Barker calls an “ethical bribe” by exchanging a free track(s) for the contact information.

I mean, you need to know where to send the customer’s free track right?

 

Here are a few links to some squeeze pages we have created at Daredevil Production, LLC. I recommend you experience some of these as a consumer. You can always UNSUBSCRIBE at the bottom of each email address if you want.

  • GiftFromJohnny.com (this is to a free download of my bestselling Twitter Book which you are welcome to have if you don’t already own it)Flaws_Ty_Herndon_Squeeze_Page
  • GiftFromTy.com (this is a free track from Platinum country artist Ty Herndon)

 

 

While there is an art to structuring a squeeze page that will optimize conversions, it can totally be mastered.  Check out companies like Lead Pages to help you capture that info and store it.  (If you have any problems, simply give us a flaws lead pagescall and we are happy to help you set up your own squeeze page.)

 

 

 

A second methodology which is extremely effective for younger audiences (not so much for audiences over 50) is the text capture methodology.flaws call loop logo

Check out companies like Call Loop. They offer the ability for your customers to text a “key word” and receive instant downloads of your music.

Now you have their phone number.

 

Text messages have a 99% open rate.iphones

 

Whoa.

So imagine you’re playing a live show and you own the crowd. From the stage you instruct everyone to “Raise their phones in the air for a FREE track!” and just like that you get 50 phone numbers.

 

Did you rock the house?

 

Did you leave your audience wanting more?

 

Does your show feel like an event?

 

Would they LOVE a text from you 1 week before your next show?Flaws no fatal flaws

 

I’ll bet they would.

 

As an independent artist, you can avoid fatal flaws.

 

Stay In Tune.

 

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